Now throw some rods in your hay-r
And wave it like you just don’t cay-re
And if you like curls and twists and all that perm shit
Everybody let me hear ya say oh ye-ah
Now throw some rods in your hay-r
And wave it like you just don’t cay-re
And if you like curls and twists and all that perm shit
Everybody let me hear ya say oh ye-ah
*dusts off an oldie*
Yeah I did this one a while ago but thought I’d stick it here for posterity.

Honestly, over the years, I’ve known many a woman who will collapse into giggles if you even
breath on her wrong. Sometimes certain parts of the body are completely off limits to kiss or
caress because of a reaction to touch. When you’re in love with someone, things like this don’t
matter, but still, let me take some time to appreciate in these late hours those women whose
bodies can accept and even welcome the touch of an other’s hands.
Because damn.
Lemme tell you how amazing it can be as a man to be engulfed by you. Beautiful women come
in all shapes and sizes and can after a relationship’s started turn all shapes and sizes, and when
you’ve captured our minds and hearts its beauty is evergreen in all its phases.
But to be able to put lips to each eye pleasing curve and tell you how our kisses feel so
comfortable to be couched on them that they will gladly play layer upon layer and never have a
prayer of ever wanting to find their rest anywhere else.
To be able to soak your scent into each fingerprint and learn every surface like we’re learning
beautiful lyrics in braille, or survey the lay of your lands with our hands until we even know the
acoustics of each curve as our hands caress them in the silence of night.
Even better? Is the woman who’s body can be just that little bit ticklish so that when shes being
touched, there’s that barely contained smile and quiver. The woman who will sigh as the full
surface of your palms and fingers massage her once, her breath drawing shallower as you
reduce the touching surface to fingers, fingers to fingertips, to barely fingertips, to finish with the
lightest stroke of that many times blazed trail with fingernails. If fingernails down a blackboard is
one of the most grating sounds in the world, the sound of a woman enjoying the touch of those
fingernails down her backboard is surely one of the sweetest.
Many thanks ladies, for the hours that you have given to the pleasure of our curious fingers and
lips. Being able to fully explore the secrets of a woman’s body without restriction is a gift that
can never be appreciated enough. Your curves are what part of what makes you you. The
familiarity and safety in those curves that house your mind and spirit etch themselves into our
minds with every stroke of the hand.
Especially first thing in the morning, when I get to gaze on the sight of you new to another day,
to take pictures in my mind’s eye of the moments that, at least for that day, I know will be mine
to know alone.
The nature of my prejudice is so advanced that I often dismiss them straight off the bat without giving them a chance to prove to me that they are the exception that proves the rule. Generalities do have their uses sometimes and I suppose that discounting them off hand undermines my sensibility at times.
However, having observed Internet and media discussions recently, I’ve become disheartened by the desire to seek generalities in regard to human relations. In particular questions like “Are co-ed schools or single sex schools better for <insert gender>?” or “Why do women do XYZ.”
Sometimes these questions are in jest and poke some intelligent fun at the disconnect between different groups in society. Often I’m worried that these questions are asked in serious earnest, as if there is an arithmetic to human behaviour that one can coldly apply to a subject given a similar set of circumstances.
As someone who dislikes being but into a figurative box, often reading these questions being posed by people who do not appreciate the same, the contradiction is bemusing, and sometimes a little worrying.
Sometimes the question needs to be “Does my child with these needs more fit this school or this school?” or “Given this context and this personality, why did she do this?”
There’s a need out there to become more familiar with the unique variable of each person’s nature, a need to understand how individual the answers to such issues tend to be.
Many answers to questions of our human interaction are best answered generally with a ‘depends’. We should never lose that word from the back of our minds, lest we become the designer of the kind of box we dislike others confining us in.
For me, this is about the women who either abdicated a bit of their sovereignty in the kitchen to accommodate my peasant pan handling, or those who didn’t really cook before but learned to love it after joining in.
This is about those times when you’re both home to cook together, when you ignore the gender roles and there’s a synergy about your movements in the kitchen. No one is designated the stirrer or the preparer, no-one is charged with the washing up. You both look at the menu and go about a subtle dance in the kitchen where each places a step where another doesn’t have enough feet.
This is about getting your hands dirty together, the affectionate touching as you move around one person to get another spice or grab a bowl of ingredients to spoon into the mix they’re stirring. This is about finding a time where you can both be productive and still share those important conversations about the stresses of the day or the hopes for tomorrow.
This is about human bonding and interactions, the mix of which results in plates of food and a cleaned kitchen.
I love it when that works, that unspoken understanding and spirit of partnership. Cooking’s one of the few household things that doesn’t feel like a chore to me, and I love it when you ladies share it like that.
Shit feels like home.
Quite a curious fellow, who was into making sculpture out of tampons. When he wasn’t designing scale models of buildings with them, he was designing period design tampon firing weaponry to lay siege to them with.
Watching the progress of Norman’s sculptural efforts was like watching the evolution of man’s technology over time. Through the stone, bronze and iron ages forward each new year was greeted with a new period of building design, with the siege weaponry to go with it. He said he kept old period pieces in a storage locker in the suburbs. Buildings would be populated by tampons secured to a small carboard base with meticulously painted body and facial features. His ability to bring out great painted detail despite the absorbent nature of the tampon was truly something both fascinating and worrying.
Norman of course was a huge history buff, and that’s how I got to know him. If you could stand to wade through a white sea of historic structural decay and broken ammunition in his small flat he had much to offer in the way of study aids, and he helped me through some of my history papers at university. Nothing quite sticks in the mind like a historical scene re-enacted entire through the mediums of paint and tampon.
Unfortunately, Norman’s career was washed into oblivion in a flash flood. The irony was rich when it was noted that the tampons had soaked up most of the damage, while leaving his other, less prized possessions, mostly untouched as a result. A particular favourite of Norman’s had been a staging of the story of the fourty-seven Ronin, who, for a second time it seemed, had sacrificed themselves in the name of their master Norman, but in doing so had hurt him all the more in the process.
The whole event was too much for Norman to absorb. He tried to make a claim through his insurance, but of course no-one at the company would put a value on what he had lost.
I never saw Norman again after that. Last I heard he was living an isolated life by a beach, and now apparently works on pontoon technology to help save stranded dolphins and whales.